To date

Yes and Yes journeys through the episodes of Joyce’s Ulysses, exploring the sensuality, absurdity, release, and resignation of the book in movement with four extraordinary dancers and through film, sound, and design.

The Here Trio brings the intelligence of the body to the fore, addressing often overwhelming issues of where we feel we belong and how we survive when things are beyond our control.

Dēmos explores the desires and compulsions in the urge to move, the charge that circulates in a crowd, the connections between music and movement in shifting spaces of togetherness and separation.

12 collaborating artists in 7 countries working together in this dance transmission project inspired by moving bodies connected by friendship, history and coincidence.

A site-specific promenade dance piece commissioned for the re-opening of the Goethe-Institut on Merrion Square in Dublin. 15 dancers brought audiences on a captivating and emotional journey through the exquisite new building, sharing visceral and moving memories, texts and dances.

I/Thou responds to the work of iconic visual artist Brian O’ Doherty. The piece echoes the themes of migration, language and identity that are ever present in his work.

Performed in The National Gallery of Ireland, Totems moves in a series of intricate physical patterns resonating with the live score and imagining relationships to the surrounding memories, symbols and histories.

An immersive contemporary dance and live music installation created in response to and set within One Here Now; a series of wall paintings by Irish artist Brian O’ Doherty / Patrick Ireland.

A collection of short works that appear as a wash of colour, movement, rhythm and emotion; human embodiment as a dynamic event. The audience completes the picture.

WRoNGHEADED merges film, poetry and movement, to confront the realities of women's rights in relation to bodily autonomy and freedom of choice in Ireland in the lead up to the 2018 abortion referendum.

A dance that explores personal experiences of migration asking the question; when we feel the distances between us somehow increasing, in a world that's meant to be getting smaller, how do we bridge the gap?

Bastard Amber draws inspiration from W.B Yeats’ ‘Sailing to Byzantium’ by giving voice to the modern vision that Yeats imagined in his own work for theatre.